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a home for forgotten and famous korean pulp, its heroes, its heroines, and its pulpeteers

Koreans’ self-orientalism: The Kim Sisters 한국인의 자기화된 오리엔타리스즘: 김씨스터즈

kim-sisters.jpgOkay, we know this is asking for trouble, but then even Chuck Norris apologizes to Master Lee, so I guess he doesn’t need to care… Now, what is a self-orientalising song? And why does Master Lee like to discuss them? Well, it seems that ever since a recording industry developed in Korea, Koreans have sometimes tried to sell their uniqueness by singing in a specific way and using specific words in order to make the performer and the culture he/she represents come across as cute and/or sensual, as emotional and spiritual – rather than rational – and exotic. It is a way of appealing to those who like to generalize one’s culture, and often in ways that are not particularly positive, but emphasize (unrealistically) unique “qualities”: the image created has little to do with the culture of the performer at all, and may connote that of a vaguely related culture instead. Self-orientalism is usually a way of selling oneself or one’s products to those who would otherwise O/orientalise (the smaller “o” having been introduced by Jennifer Robertson in her wonderful study Takarazuka: Sexual Politics and Popular Culture in Modern Japan (1998) as a form of Orientalism practiced by Japan – often considered a 1st-world nation – towards other Asian cultures) and it has particularly suited acts that catered to majorities of non-Koreans, such as the Kim Sisters. Interesting is that although they may have represented a form of positivist occidentalism to Koreans, they probably catered to the romantic Orientalism of their non-Korean audiences. Fortunately, there are not many such songs Master Lee can think of, though the Kim Sisters’ single ‘Ching Chang’ (Epic 5-9312, composed by E. Shuman and M. Garson) is a great example. What were they thinking…?

kim-sisters-1.jpgOther songs by the Kim Sisters that ought to feature on one such list are ‘China Nights/Shina no yoru‘ (Eisenburg, Leeds Music ASCAP) and ‘Chinese Lullaby’ (Helen Sapolin, Combine Music BMI). These two songs were included on the Kim Sisters’ album The Kim Sisters: Their First Album (Monument MLP 8022). Master Lee would like to hear your comments and would really appreciate your suggestions! Please? (NB: Master Lee rarely says “please”…)

5 Comments »

  Dexter wrote @

Hi
I am the manager for Sue Kim of The Kim Sisters. Can you please tell me where you got that wonderful photo and if you have any more?
Thanks!
Dexter de Sah
Los Angeles, CA

  masterlymasterlee wrote @

Dear Dexter,

Unfortunately we don’t have the original. I once grabbed it off the Internet. It’s nice to see you’re still working with Ms Kim. You can tell her that we have met many, many fans of the Kim Sisters over the years, both in Europe, and in Australia.

M. Lee

  Ronald Vaughan wrote @

Nice to hear that Sue Kim is still around… I
saw The Kim Sisters perform only once…at
the long-defunct “Kono Hawaii” in Santa Ana,
CA., in mid-1982…odd timing,since I was to
go to Oahu,Hawaii,for 5 years. I never was
able to see them in Las Vegas,the titming
was wrong.

I met their then-manager,Danny Sawyer. I
later did music reviews for DISCOVERIES
Magazine and got into a music documentary.

I was always impressed by the fact that this
band was pioneering in getting women to
play electric guitars (including steel guitars.)

Their albums…and 20 or so “Ed Sullivan”
performances…should really be re-released.

  Pickard Trepess wrote @

Hi, I’m working with Tommy Vig and Mia Kim, here in Hungary and just found your page – great pics ! Anyone with more info/pictures on the Kim Sisters is welcome to contact me on pickard@tommyvig.com. I’m putting together a website for Mia Kim too

  Ben wrote @

Dear Dexter,

I’m currently doing research on the Kim Sisters and I would love to do an interview with Sue Kim. Would it be possible for me to get in touch with her. My email is bmshan@gmail.com


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